Thu 15 September 2022 | 8:00 pm - 11:59 pm
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โ€œMy Father in the Cloud,โ€ a new solo exhibition by Ruth Patir (*New York; lives and works in Tel Aviv), is an intimate study of grief and loss, mediated by the augmented imagery of 3D animation and motion-capture technology. In this project, Patir extends her interest in self-representation and life in the era of the Internet, and problematizes a rather recent phenomenon: losing a loved one in an era in which their digital presence confoundingly carries on. โ€œRuth Patir: My Father in the Cloudโ€ is curated by Tamar Margalit.

“ืื‘ื ืฉืœื™ ื‘ืขื ืŸ”, ืชืขืจื•ื›ืช ื™ื—ื™ื“ ื—ื“ืฉื” ืœืืžื ื™ืช ืจื•ืช ืคืชื™ืจ (*ื ื™ื• ื™ื•ืจืง; ื—ื™ื” ื•ืขื•ื‘ื“ืช ื‘ืชืœ ืื‘ื™ื‘-ื™ืคื•) ื”ื™ื ื—ืงื™ืจื” ืื™ื ื˜ื™ืžื™ืช ืฉืœ ืื•ื‘ื“ืŸ ื•ืื‘ืœ ื‘ืขืงื‘ื•ืช ืžื•ืช ืื‘ื™ื” ืฉืœ ื”ืืžื ื™ืช, ื”ืžืชื•ื•ื›ืช ื“ื•ื•ืงื ื“ืจืš ื“ื™ืžื•ื™ื™ื ืžืœืื›ื•ืชื™ื™ื ืฉืœ ืื ื™ืžืฆื™ื™ืช ืชืœืชึพืžื™ืžื“ ื•ื˜ื›ื ื•ืœื•ื’ื™ืช ืœื›ื™ื“ืช ืชื ื•ืขื”. ื‘ืคืจื•ื™ื™ืงื˜ ื–ื”, ืคืชื™ืจ ืžืจื—ื™ื‘ื” ืืช ืขื™ืกื•ืงื” ื‘ื™ื™ืฆื•ื’ ืขืฆืžื™ ื•ื‘ื—ื™ื™ื ื‘ืขื™ื“ืŸ ื”ืื™ื ื˜ืจื ื˜, ื•ืžืชื—ื‘ื˜ืช ื‘ืชื•ืคืขื” ื—ื“ืฉื” ื™ื—ืกื™ืช: ืื•ื‘ื“ืŸ ืฉืœ ืื“ื ืื”ื•ื‘ ื‘ืขื™ื“ืŸ ื‘ื• ื ื•ื›ื—ื•ืชื• ื”ื“ื™ื’ื™ื˜ืœื™ืช ืžืžืฉื™ื›ื” ืœื”ืชืงื™ื™ื ื‘ืื•ืคืŸ ืฉืžืขื•ืจืจ ืชืžื™ื”ื”. “ืจื•ืช ืคืชื™ืจ: ืื‘ื ืฉืœื™ ื‘ืขื ืŸ” ืžื•ืฆื’ืช ื‘ืื•ืฆืจื•ืชื” ืฉืœ ืชืžืจ ืžืจื’ืœื™ืช.

ยซุฃุจูŠ ููŠ ุงู„ุบูŠู…ุฉยป ู…ุนุฑุถูŒ ูุฑุฏูŠ ู„ู„ูู†ุงู†ุฉ ุฑูˆุช ุจุงุชูŠุฑ (*ู†ูŠูˆูŠูˆุฑูƒุ› ุชุนูŠุด ูˆุชุนู…ู„ ููŠ ุชู„ ุฃุจูŠุจ)ุŒ ูŠู‚ุฏู‘ู… ุงู„ู…ุนุฑุถ ุจุญุซู‹ุง ุญู…ูŠู…ูŠู‘ู‹ุง ุนู† ุฎุณุงุฑุฉ ุชุจุซู‘ู‡ุง ุนุจุฑ ุชุฌุณูŠุฏุงุช ุงุตุทู†ุงุนูŠุฉ ู„ุฑุณูˆู… ู…ุชุญุฑูƒุฉ ุจุชู‚ู†ูŠุฉ ุงู„ุชุญุฑูŠูƒ ุซู„ุงุซูŠุฉ ุงู„ุฃุจุนุงุฏ ูˆุชูƒู†ูˆู„ูˆุฌูŠุง ุงู„ุชู‚ุงุท ุงู„ุญุฑูƒุฉ. ููŠ ู‡ุฐุง ุงู„ู…ุดุฑูˆุนุŒ ุชูˆุงุตู„ ุจุงุชูŠุฑ ุชุชุฃู…ู„ ุงู„ูู†ุงู†ุฉ ุจุฑูˆุญู‡ุง ุงู„ู…ุฑุญุฉ ูˆุญุณุงุณูŠุชู‡ุง ุงู„ู…ู…ูŠุฒุฉ ุนู„ุงู‚ุชู‡ุง ุจุงู„ุชูƒู†ูˆู„ูˆุฌูŠุงุŒ ูˆุชุชู†ุงูˆู„ ุงุฑุชุจุงุท ู‡ุฐู‡ ุงู„ุนู„ุงู‚ุฉ ุจุฐูƒุฑู‰ ูˆุงู„ุฏู‡ุง ุงู„ุฑุงุญู„ ุงู„ุฐูŠ ุนู…ู„ ู…ู‡ู†ุฏุณู‹ุง ููŠ ู…ุฌุงู„ ุงู„ุงุชุตุงู„ุงุช ูˆุนูุฑู ุนู†ู‡ ู‡ูˆุณู‡ ุจุงู„ุงุฎุชุฑุงุนุงุช ูˆุงู„ุชูƒู†ูˆู„ูˆุฌูŠุง. ยซุฑูˆุช ุจุงุชูŠุฑ: ุฃุจูŠ ููŠ ุงู„ุบูŠู…ุฉยป ู…ุนุฑุถ ู…ู† ุชู†ุณูŠู‚ ุชู…ุงุฑ ู…ุงุฑุบู„ูŠุช.

Versatile and idiosyncratic, spanning over seven decades, the work of Marion Baruch (*Timiศ™oara, Romania; lives and works in Gallarate, Italy) represents a unique approach to formalism, due to its being deeply interdisciplinary. During her career, Baruch shifted between different mediums, from paintings to 3D. The most recent phase of Baruchโ€™s practice is characterized by the reuse of textile waste from the prรชt-ร -porter industry, employed by the artist to create a body of work that renewed her conviction that formalism is never disconnected from issues that are either conceptual, autobiographical, existential or philosophical. โ€œMarion Baruch: Bombaโ€ is the artistโ€™s first institutional solo presentation in Israel and in the region. The exhibition is curated by Noah Stolz and Nicola Trezzi.

ืขื‘ื•ื“ืชื” ื”ื•ื•ืจืกื˜ื™ืœื™ืช ื•ื”ืื™ื“ื™ื•ืกื™ื ืงืจื˜ื™ืช ืฉืœ ืžืจื™ื•ืŸ ื‘ืจื•ืš (*ื˜ื™ืžื™ืฉื•ืืจื”, ืจื•ืžื ื™ื”; ื—ื™ื” ื•ื™ื•ืฆืจืช ื‘ื’ืœืืจื˜ื”, ืื™ื˜ืœื™ื”) ืืฉืจ ืžืฉืชืจืขืช ืขืœ ืคื ื™ ืฉื‘ืขื” ืขืฉื•ืจื™ื ืžื™ื™ืฆื’ืช ืชืคื™ืฉื” ื™ื™ื—ื•ื“ื™ืช ืฉืœ ืคื•ืจืžืœื™ื–ื ื‘ืฉืœ ื’ื™ืฉืชื” ื”ื‘ื™ืŸึพืชื—ื•ืžื™ืช. ื‘ืžื”ืœืš ื”ืงืจื™ื™ืจื” ื”ืืžื ื•ืชื™ืช ืฉืœื”, ื‘ืจื•ืš ืขื‘ืจื” ื“ืจืš ืžื“ื™ื•ืžื™ื ืžื’ื•ื•ื ื™ื ืžืฆื™ื•ืจ ืœืขื‘ื•ื“ื•ืช ืชืœืชึพืžืžื“ื™ื•ืช. ื”ืฉืœื‘ ื”ืื—ืจื•ืŸ ื‘ืคืจืงื˜ื™ืงื” ืฉืœ ื‘ืจื•ืš ืžืื•ืคื™ื™ืŸ ื‘ืฉื™ืžื•ืฉ ื—ื•ื–ืจ ื‘ืคืกื•ืœืช ื˜ืงืกื˜ื™ืœ ืžืชืขืฉื™ื™ืช ื”ืคืจื˜ึพืึพืคื•ืจื˜ื”. ื”ืืžื ื™ืช ื™ืฆืจื” ื‘ืืžืฆืขื•ืชื” ื’ื•ืฃ ืขื‘ื•ื“ื•ืช ืฉื—ื™ื“ืฉ ืืช ืืžื•ื ืชื” ื›ื™ ื”ืคื•ืจืžืœื™ื–ื ืœืขื•ืœื ืื™ื ื• ืžื ื•ืชืง ืžื‘ืขื™ื•ืช ืงื•ื ืกืคื˜ื•ืืœื™ื•ืช, ืื•ื˜ื•ื‘ื™ื•ื’ืจืคื™ื•ืช ืืงื–ื™ืกื˜ื ืฆื™ืืœื™ืกื˜ื™ื•ืช ืื• ืคื™ืœื•ืกื•ืคื™ื•ืช.ื”ืชืขืจื•ื›ื” “ืžืจื™ื•ืŸ ื‘ืจื•ืš: ื‘ื•ืžื‘ื”” ืžื•ืฆื’ืช ื‘ืื•ืฆืจื•ืช ื ื•ื— ืฉื˜ื•ืœืฅ ื•ื ื™ืงื•ืœื” ื˜ืจืฆื™, ื•ื”ื™ื ื” ื”ืชืขืจื•ื›ื” ื”ืžื•ืกื“ื™ืช ื”ืจืืฉื•ื ื” ืฉืœ ื”ืืžื ื™ืช ื‘ื™ืฉืจืืœ ื•ื‘ืื™ื–ื•ืจ.

ุชู…ุชุงุฒ ุฃุนู…ุงู„ ุงู„ูู†ุงู†ุฉ ู…ุงุฑูŠูˆู† ุจุงุฑูˆุฎ (*ุชูŠู…ูŠุดูˆุงุฑุงุŒ ุฑูˆู…ุงู†ูŠุงุ› ุชุนูŠุด ูˆุชุนู…ู„ ููŠ ุบุงู„ุงุฑุงุชูŠุŒ ุฅูŠุทุงู„ูŠุง) ุงู„ุชูŠ ุฃู†ุชุฌุชู‡ุง ุนู„ู‰ ู…ุฏุงุฑ ุณุจุนุฉ ุนู‚ูˆุฏ ุจุชุดุนู‘ุจู‡ุง ูˆุบุฑุงุฆุจูŠุชู‡ุงุŒ ุชุฌุณู‘ุฏ ุชูˆุฌู‘ู‡ู‹ุง ูุฑูŠุฏู‹ุง ู„ู„ู…ู†ู‡ุฌ ุงู„ุดูƒู„ูŠ ููŠ ุงู„ูู† ู†ุธุฑู‹ุง ู„ุฃุณู„ูˆุจู‡ุง ุงู„ุฌุงู…ุน ู„ุนุฏุฉ ุชุฎุตุตุงุช. ุงุซู†ุงุก ู…ุณุงุฑู‡ุง ุงู„ูู†ูŠ ุฎุถุนุช ู…ู…ุงุฑุณุชู‡ุง ู„ุชุญูˆู„ุงุช ุงุณู„ูˆุจูŠุฉุŒ ุชู‚ูˆู… ุจุงุฑูˆุฎ ููŠ ุขุฎุฑ ู…ุฑุงุญู„ู‡ุง ุงู„ูู†ูŠุฉ ุจุฅุนุงุฏุฉ ุงุณุชุฎุฏุงู… ู†ูุงูŠุงุช ุงู„ู†ุณูŠุฌ ู…ู† ุตู†ุงุนุฉ ุงู„ู†ุณูŠุฌ ุงู„ุฌุงู‡ุฒุฉ [prรชt-ร -porter]ุŒ ุญูŠุซ ุชุณุชุฎุฏู… ู‚ุทุน ุงู„ู…ู„ุงุจุณ ู„ุฎู„ู‚ ุฃุนู…ุงู„ ุชุฌุฏู‘ุฏ ุนุจุฑู‡ุง ู…ูู‡ูˆู…ู‡ุง ู„ู„ู…ู†ู‡ุฌ ุงู„ุดูƒู„ูŠ ู…ุดูŠุฑุฉู‹ ุฅู„ู‰ ุงู„ุฑุงุจุท ุงู„ู…ุญุชูˆู… ุจูŠู† ุงู„ู‚ุถุงูŠุง ุงู„ู…ูุงู‡ูŠู…ูŠุฉ ูˆุงู„ุณูŠุฑุฉ ุงู„ุฐุงุชูŠุฉ ูˆุงู„ุฃุณุฆู„ุฉ ุงู„ูˆุฌูˆุฏูŠุฉ ูˆุงู„ูู„ุณููŠุฉ.ยซู…ุงุฑูŠูˆู† ุจุงุฑูˆุฎ: Bombaยป ู…ุนุฑุถูŒ ู…ู† ุชู†ุณูŠู‚ ู†ูˆุง ุดุชู„ูˆุชุณ ูˆู†ูŠูƒูˆู„ุง ุชุฑุชุณูŠ ูˆู‡ูˆ ุฃูˆู„ ู…ุนุงุฑุถู‡ุง ุงู„ู…ุคุณุณุงุชูŠุฉ ููŠ ุฅุณุฑุงุฆูŠู„ ูˆุงู„ู…ู†ุทู‚ุฉ.
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