Mon 6 April 2020 | 8:00 pm - 11:30 pm
Barby - Derech Kibuts Galuyot 52, Tel Aviv,
“Again, as with most current bands who end up being described as post punk, they don’t actually sound anything like any post punk bands that I can name, instead they share a convergent and parallel sonic evolution with other, more recent post punk fans, especially those with a serious commitment to servicing the dancefloor, such as Health, Re-TROS, Snapped Ankles, Algiers, My Disco and Liars. … You know, I constantly dream of coming across bands like Shortparis yet so rarely do. Ambitious, bombastic, incredibly pretentious, erotic, thrilling, impossible to pin down, vaguely deviant, fun to dance to and full of revolutionary potential. Sure, if you listen hard enough you can hear them laughing but you would be a fool to make the mistake of presuming that they’re joking”. John Doran, The Quietus
“Stunning set from St Petersburg, Russia and the latest brilliant band to emerge from the East as yet another part of the all-consuming New Russian Wave who meld the stark industrial landscapes of Belgian New Beat, mid-period Einsturzende Neubauten with the stadium possibilities of Depeche Mode but with their own imaginative edge and a charismatic singer who delivers the vocals with a captivating chanson falsetto and Russian melodies”. John Robb, Louderthanwar.
“.. our jaws drop as we witness a totally dark and very lethal 21st-century electronic deconstruction of Front 242, new beat, goth pop/Communards-meets-High-Gloss-Sisters underpinned by a ferocious drumming attack that sounded as if it was from a Shellac LP. (It’s also worth noting that the incredible, lissome, hard-hitting drummer was a stand-in. A stand-in! Those who saw it won’t believe it.)They are four intense lads from St Petersburg who hammered out one of the most powerful sets I have seen in years, akin to being on a runway, such was the concentrated noise. The singer’s incredibly powerful – if slightly erratic – baritone sandblasted ears: imagine a very heavy take on Jimmy Somerville or Billy Mac, a voice that projected vast and deep vats of existential despair. He was also very keen on throwing some confrontational shapes out to the crowd. By the end he was in among the petrified punters, rubbing the mic against his crotch and getting the incredible drummer to join in his suggestive dancing. Blimey.” Richard Foster, The Quietus
“Amazing Russian band who combine a post industrial electronic throb with a haunting falsetto vocal, guitars, Belgian new beat and soundtrack into a compelling and brilliant whole. Their music is full of groundbreaking action and intensity and a dark and melancholic danger, they are the post darkwave, they have the songs and the charisma to fill the Depeche Mode stadium circuit, they sound like the 21st century now, they make electronics sound warm and human and full of vim and fuck and the singer does these wild sex dances that part hypnotise the audience and part terrify them. In short Shortparis are the band of the moment.
This is a true death disco – a post-industrial dark and thrilling ride on the dark side that you can dance to. A thrilling combination of electronics and post-punk deconstruction with operatic vocals. They are 2018. They are the now.» John Robb, Louderthanwar.