Tue 27 July 2021 | 7:00 pm - 11:59 pm
French Institute Tel Aviv - Rothschild 7, Tel Aviv,

You are invited to the last screening of the series I curated for the French Institute, “Interior: The Cinematic Life of Home”

And this time we saw a rare work in its poetic beauty: “Yema” (Algiers, 2012), directed and starring the unique creator Jamila Sahrawi.

At the heart of the film is Cuardier, a rainbow woman who suffered a double loss: her eldest son, an army officer, was killed during his tenure, and her youngest son, a local rebel leader, was caught by her as guilty of a crime. In her secluded country home she retreated into herself, while a young partisan and a stump watched over her on behalf of her wayward son. A relationship is forged between the two, allowing them to darken their pain. But between the interior and the exterior, the closed and open of the characters and the domestic space they inhabit, there is an impassable boundary, which prevents complete recovery and complete redemption.

Before the film, I will give an introduction in English that connects it to the theme of the program, and to its source of inspiration: Gaston Bechlar’s book, “The Poetics of Space” (1958), which was recently translated into Hebrew (Babylon, 2020)

The length of the film is 93 minutes, speaking Arabic with English translation

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诪讜讝诪谞讬诐 讜诪讜讝诪谞讜转 诇讛拽专谞讛 讛讗讞专讜谞讛 讘住讚专讛 砖讗爪专转讬 讘注讘讜专 讛诪讻讜谉 讛爪专驻转讬, “驻谞讬诐: 讛讞讬讬诐 讛拽讜诇谞讜注讬讬诐 砖诇 讛讘讬转”

讜讛驻注诐 谞爪驻讛 讘讬爪讬专讛 谞讚讬专讛 讘讬讜驻讬讛 讛驻讬讜讟讬: “讬诪讛” (讗诇讙’讬专, 2012), 讘讘讬诪讜讬讛 讜讻讬讻讜讘讛 砖诇 讛讬讜爪专转 讛讬讞讜讚讬转 讙’诪讬诇讛 住讞专讗讜讜讬. 讘诇讘 讛住专讟 注讜诪讚转 拽讜讗专讚讬讬讛, 讗讬砖讛 拽砖转 讬讜诐 砖住讘诇讛 诪讗讜讘讚谉 讻驻讜诇: 讘谞讛 讛讘讻讜专, 拽爪讬谉 爪讘讗, 谞讛专讙 讘诪讛诇讱 转驻拽讬讚讜, 讜讘谞讛 讛爪注讬专, 诪谞讛讬讙 诪讜专讚讬诐 诪拽讜诪讬, 谞转驻住 注诇 讬讚讛 讻讗砖诐 讘驻砖注. 讘讘讬转讛 讛讻驻专讬 讛诪讘讜讚讚 讛讬讗 谞住讜讙讛 诇转讜讱 注爪诪讛, 讘讝诪谉 砖驻专讟讬讝谉 爪注讬专 讜讙讬讚诐 诪砖讙讬讞 注诇讬讛 诪讟注诐 讘谞讛 讛住讜专专. 诪注专讻转 讬讞住讬诐 谞专拽诪转 讘讬谉 讛砖谞讬讬诐, 讜诪讗驻砖专转 诇讛诐 诇讛讻讛讜转 讗转 讻讗讘讬讛诐. 讗讱 讘讬谉 讛驻谞讬诐 讜讛讞讜抓, 讛住讙讜专 讜讛驻转讜讞 砖诇 讛讚诪讜讬讜转 讜讛诪专讞讘 讛讘讬转讬 讗讜转讜 讛谉 诪讗讻诇住讜转, 拽讬讬诐 讙讘讜诇 讘诇转讬 注讘讬专, 砖诪讜谞注 讛讞诇诪讛 诪诇讗讛 讜讙讗讜诇讛 砖诇诪讛.

诇驻谞讬 讛住专讟 讗转谉 讛拽讚诪讛 讘讗谞讙诇讬转 讛拽讜砖专转 讗讜转讜 诇转诪讛 砖诇 讛转讻谞讬转, 讜诇诪拽讜专 讛讛砖专讗讛 砖诇讛: 讛住驻专 砖诇 讙住讟讜谉 讘砖诇讗专, “讛驻讜讗讟讬拽讛 砖诇 讛讞诇诇” (1958), 砖诇讜 讬爪讗 转专讙讜诐 诇注讘专讬转 诇讗讞专讜谞讛 (讘讘诇, 2020)

讗讜专讱 讛住专讟 讛讜讗 93 讚拽讜转, 讚讜讘专 注专讘讬转 注诐 转专讙讜诐 诇讗谞讙诇讬转

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