Wed 29 March 2023 | 8:30 pm - 11:30 pm
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โก Album โก
bfan.link/pinuy-binuy
โก tickets โก
https://did.li/1kHlC
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โข โข โข
Neta Weiner “Evacuation of Construction” brings together intimate life materials with sharp and uncompromising social observation. His texts do not apologize for a moment, and at the same time the body does not stop dancing.
In the new album, Neta continues to juggle languages โโand forms of expression. The songs are written in Hebrew, Yiddish, Arabic and English – four languages โโthat constitute the foundations of his work in the last decade.
Under the hands of music producer the virtuoso texts become an endless party – dancing and crying, at the same time, at the highest levels.
Neta Weiner is a musician, actor, creator and multidisciplinary artist and social activist. His creation holds a meeting
A rare encounter between a sharp text and an equally sharp beat.
LOCATION: Ha-Rekhev St 13, Tel Aviv-Yafo
Wednesday / 29.3
Doors open: 8:30 p.m
ื ืืข ืืื ืจ – “ืคืื ืื ืืื ืื” – ืืืคืขื ืืืืืืช ืืืืขืืื ืืืืืจ
โข โข โข
ืืืจืืช ืืืื: ืกืืืจื ืกืจืืื
ืืืคืข ืคืชืืื: ืื ืืจ ืกืืืืืืจืืืืื (ืกืืกืื ืขืืื)
โก ืืืืื โก
bfan.link/pinuy-binuy
โก ืืจืืืกืื โก
https://did.li/1kHlC
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โข โข โข
“ืคืื ืื ืืื ืื” ืฉื ื ืืข ืืื ืจ, ืืคืืืฉ ืืื ืืืืจื ืืืื ืืื ืืืืืื ืืืชืืื ื ืืช ืืืจืชืืช ื ืืงืืช ืืืกืจืช ืคืฉืจืืช. ืืืงืกืืื ืฉืื ืื ืืชื ืฆืืื ืืจืืข, ืืื ืืื ืืช ืืืืฃ ืื ืืคืกืืง ืืจืงืื.
ืืืืืื ืืืืฉ ืืืฉืื ื ืืข ืืืืื ืืื ืฉืคืืช ืืฆืืจืืช ืืืืื. ืืฉืืจืื ืืชืืืื ืืขืืจืืช, ืืืืืฉ, ืขืจืืืช ืืื ืืืืช – ืืจืืข ืฉืคืืช ืืืืืืช ืืช ืืกืืืืช ืืฆืืจืชื ืืขืฉืืจ ืืืืจืื.
ืชืืช ืืืื ืฉื ืืืคืืง ืืืืืืงืื ืจืืขื ืืืจืื (ื’ืืืื ื’ืื ืืืืงืช ืกืคื, ื’ืืื ืืืจืื, ืืืื ืคืื) ืืืงืกืืื ืืืืืจืืืืืืื ืืืคืืื ืืืกืืื ืืื ืกืืคืืช – ืจืืงืื ืืืื, ืื ืืื ืืช, ืืขืืฆืืืช ืืื ืืืืืืช.
ื ืืข ืืื ืจ ืืื ืืืืืงืื, ืฉืืงื, ืืืฆืจ ืืืื ืจื-ืชืืืื ืืคืขืื ืืืจืชื. ืืฆืืจืชื ืืงืืืืช ืืคืืฉ
ืืคืืฉ ื ืืืจ ืืื ืืงืกื ืืจืืฃ ืืืื ืืจืืฃ ืื ืคืืืช.
ืืืขืืื ืืืืืจ
ืืจืื 13 ืชื ืืืื
ืจืืืขื / 29.3
ืคืชืืืช ืืืชืืช: 20:30
ืืืงื:
ืืก, ืฉืืจืืช ืื ืืืื ืืืืืงืื- ืจืืขื ืืืจืื
ืืืืจื ืืฉืืจืืช – ืจืื ื ืืจืงืืืฅ’
ืชืืคืื: ืื ืืืืจ
ืืืฉื ืืงืืืืื: ืจืืขื ืืกืื
“ืืืืื ืกืืื ืืืฉ ืืืขืืื ืฉื ืืื ืจ, ืฉืืืชื ืืืืื ืื ืืืจืืฃ ืืื ืืืืจื ืืืืืืช ืฉื ืืคื” ืขืื ื ืฉืืฃ, ืจืืื ynet
“ืืฉืืฃ, ืืืฉื, ืืงืคืืฅ โ ื ืืืจ” ืจืื ื ืฆืจืืจ, ืื”ืฆ
โืืืืื ืืืค ืืืค ืื ืื ืื ืฉืืจืชื ืฉืืชืขืกืง ืืืืจืื ืืฉืืืื ืืฆืืจื ืืจืชืงืช” ืงืืืืื, ืืืืืฆ
” ืืืืื ืืืคืื ืืื ืืคื ืื ืื…ืืฆืืื ืืืืื ืงืืืืช ืฉืืื ืืกืคืืง ืืื ืืืืืืงื ืืืฉืจืืืืช”
ื ืืฆื ืคืื ืงื, ืืงืฆื
“ืืืืื ืฉืืจืขืื ืืช ืืืืื ืื” ืจืื ื ืืจืืืืืืจ, ืืื 88
“ืืืืจ ืืื ืืืฉืืข ืืืืื ืืื ืฉืื ืืฉืืืข ืืืืจืื ” ืกืขืจ ืืืื, ืืืืืฆ
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