Thu 13 January 2022 | 1:00 pm - 11:59 pm
Lotan Gallery - Mazal Arie St 19, Tel Aviv-Yafo,

**Hebrew follows**

Mother Tongue โ€“ Solo exhibition by Daria Konshtik
Curator: Ido Cohen
13.1.22 โ€“ 29.1.22
Lotan Gallery, 19 Mazal Arie st., Old Jaffa

Opening Reception: Thursday 13 January 2022, 19:00

Gallery Talk with the artist and exhibition curator: Saturday 22 January 2022, 12:00

Exhibition hours: Tue 12:00-20:00; Wed 16:00-20:00; Thu 12:00-20:00; Fri 10:00-15:00; Sat 10:00-20:00

Naively stylized with bold and vivid colors, Konshtikโ€™s paintings and drawings combine ornaments and folklore images from her native Ukrainian tradition, with local Israeli and Middle Eastern motifs, such as palm and olive trees. Using an alter-ego in the form of a matryoshka doll, she dialogues with the Sabra (a prickly pear cactus and a common term used for describing an Israeli-born Jew). Konshtikโ€™s works, especially the video at the heart of the exhibition, are laden with hybrid excess that expresses a cultural fragmentation. For Konshtik, this split used to be a source of challenging difficulty, that had gradually healed and became a source of pride, which enables her to look at the Israeli reality more critically and humorously.


ืฉืคืช ืื
ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืฉืœ ื“ืจื™ื” ืงื•ื ืฉื˜ื™ืง
ืื•ืฆืจ: ืขื™ื“ื• ื›ื”ืŸ
ื’ืœืจื™ื” ืœื•ื˜ืŸ | ืกืžื˜ืช ืžื–ืœ ืืจื™ื” 19, ื™ืคื• ื”ืขืชื™ืงื”

โœฆ ืคืชื™ื—ื” ื—ื’ื™ื’ื™ืช > ื™ื•ื ื—ืžื™ืฉื™, 13.1, ื‘ืฉืขื” 19:00 โœฆ

โœฆ ื™ืžื™ื ื•ืฉืขื•ืช ืคืชื™ื—ื”> ืฉืœื™ืฉื™: 12:00-20:00 | ืจื‘ื™ืขื™: 16:00-20:00 | ื—ืžื™ืฉื™ 12:00-20:00 | ืฉื™ืฉื™ 10:00-15:00 | ืฉื‘ืช 10:00-20:00 โœฆ

โœฆ ืฉื™ื— ื’ืœืจื™ื” ื‘ื”ืฉืชืชืคื•ืช ื”ืืžื ื™ืช ื•ืื•ืฆืจ ื”ืชืขืจื•ื›ื” ื™ืชืงื™ื™ื ื‘ื™ื•ื ืฉื‘ืช, 22.1.22 ื‘ืฉืขื” 12:00 โœฆ

ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืœืืžื ื™ืช ื”ืจื‘-ืชื—ื•ืžื™ืช ื“ืจื™ื” ืงื•ื ืฉื˜ื™ืง. ื‘ืฉืคื” ื ืื™ื‘ื™ืช ื•ื‘ืฆื‘ืขื™ื ืขื–ื™ื, ืžืฉืœื‘ืช ืงื•ื ืฉื˜ื™ืง ื‘ืขื‘ื•ื“ื•ืช ืฆื™ื•ืจ, ืจื™ืฉื•ื ื•ื•ื™ื“ืื•, ืื•ืจื ืžื ื˜ื™ืงื” ื•ื“ื™ืžื•ื™ื™ ืคื•ืœืงืœื•ืจ ืžื”ืžืกื•ืจืช ื”ืื•ืงืจืื™ื ื™ืช ื™ื—ื“ ืขื ืžื•ื˜ื™ื‘ื™ื ืžืงื•ืžื™ื™ื, ื›ืžื• ืขืฆื™ ื“ืงืœ ื•ื–ื™ืช. ื‘ื™ืฆื™ืจืชื” ื”ื™ื ืžื ื”ืœืช ื“ื• ืฉื™ื— ืขื ื“ื™ืžื•ื™ ื”ืฆื‘ืจ ื”ื™ื”ื•ื“ื™ ื‘ืืžืฆืขื•ืช ืืœื˜ืจ-ืื’ื• ื‘ื“ืžื•ืชื” ืฉืœ ื‘ื•ื‘ืช ืžื˜ืจื™ื•ืฉืงื”. ืขื‘ื•ื“ื•ืชื™ื” ืฉืœ ืงื•ื ืฉื˜ื™ืง, ื™ืœื™ื“ื™ืช ืื•ืงืจืื™ื ื” (ื‘ืจื””ืž ืœืฉืขื‘ืจ) ืฉืขืœืชื” ืœื™ืฉืจืืœ ื‘-1995, ื•ื‘ืžื™ื•ื—ื“ ืขื‘ื•ื“ืช ื”ื•ื™ื“ืื• ืฉื‘ืœื‘ ื”ืชืขืจื•ื›ื”, ืขืžื•ืกื•ืช ื’ื•ื“ืฉ ื”ื™ื‘ืจื™ื“ื™ ื”ืžื‘ื˜ื ืืช ื”ืคื™ืฆื•ืœ ื”ืชืจื‘ื•ืชื™ ื‘ื—ื™ื™ื”. ืคื™ืฆื•ืœ ืชืจื‘ื•ืชื™ ื–ื” ื”ื™ื•ื•ื” ืขื‘ื•ืจื” ืžืงื•ืจ ืงื•ืฉื™ ืžืขืจืขืจ, ืืฉืจ ื‘ื”ื“ืจื’ื” ืื•ื—ื” ื•ื”ืคืš ืžืงื•ืจ ืœื’ืื•ื•ื”, ื‘ืื•ืคืŸ ื”ืžืืคืฉืจ ืœื” ืœื”ืกืชื›ืœ ืขืœ ื”ืžืฆื™ืื•ืช ื”ื™ืฉืจืืœื™ืช ื‘ืื•ืคืŸ ื‘ื™ืงื•ืจืชื™ ื•ื”ื•ืžื•ืจื™ืกื˜ื™.


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