Tue 26 October 2021 | 8:30 pm - 11:59 pm
Barby - Derech Kibuts Galuyot 52, Tel Aviv,

โ˜†โ˜†โ˜† Shai Nobleman and guests โ˜†โ˜†โ˜†

A rare and one-time evening for 2021 at Barby Tel Aviv

A brass band

Shai Nobleman celebrates 20 years to mark the release of his mythical and groundbreaking album “How To Be Shy” and unites his band members, Geva Alon and Yotam Ben Horin, to also celebrate the 15th anniversary of his second album “Beautiful Life”.

Tuesday 26.10 | 20:30

โ€ข โ€ข โ€ข
After a six-year absence from rock shows, Nobleman, the pioneer of early-millennium indie rock, will return in the time tunnel to his two pioneering and influential albums of the time, to the sounds of England’s psychedelic rock, power-pop guitars and vocal harmonies. (Eyal Friedman, Edge Radio and Galgalatz).

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โ˜†โ˜†โ˜†ืฉื™ ื ื•ื‘ืœืžืŸ ื•ืื•ืจื—ื™ืโ˜†โ˜†โ˜†

ืขืจื‘ ื ื“ื™ืจ ื•ื—ื“ ืคืขืžื™ ืœ2021 ื‘ื‘ืืจื‘ื™ ืชืœ ืื‘ื™ื‘

ืื™ื—ื•ื“ ื”ื”ืจื›ื‘ ื”ืžืงื•ืจื™ ืขื:
ื’ื‘ืข ืืœื•ืŸ
ื™ื•ืชื ื‘ืŸ ื—ื•ืจื™ืŸ

ืชื–ืžื•ืจืช ื›ืœื™ ื ืฉื™ืคื”

ืฉื™ ื ื•ื‘ืœืžืŸ ื—ื•ื’ื’ 20 ืฉื ื” ืœืฆื™ื•ืŸ ืฆืืช ืืœื‘ื•ืžื• ื”ืžื™ืชื•ืœื•ื’ื™ ื•ืคื•ืจืฅ ื”ื“ืจืš “How To Be Shy” ื•ืžืื—ื“ ืืช ื—ื‘ืจื™ ืœื”ืงืชื•, ื’ื‘ืข ืืœื•ืŸ ื•ื™ื•ืชื ื‘ืŸ ื—ื•ืจื™ืŸ, ื’ื ืœื—ื’ื•ื’ ื™ื•ื ื”ื•ืœื“ืช 15 ืฉื ื” ืœืืœื‘ื•ืžื• ื”ืฉื ื™ ืด Beautiful Life”.

ืฉืœื™ืฉื™ ื”-26.10 | 20:30

โ€ข โ€ข โ€ข
ืœืื—ืจ ื”ื™ืขื“ืจื•ืช ื‘ืช ืฉืฉ ืฉื ื™ื ืžื”ื•ืคืขื•ืช ืจื•ืง, ื™ื—ื–ื•ืจ ื ื•ื‘ืœืžืŸ, ืžื—ืœื•ืฆื™ ื”ืื™ื ื“ื™-ืจื•ืง ืฉืœ ืชื—ื™ืœืช ื”ืžื™ืœื ื™ื•ื, ื‘ืžื ื”ืจืช ื”ื–ืžืŸ ืืœ ืฉื ื™ ืืœื‘ื•ืžื™ื• ื”ื—ืœื•ืฆื™ื™ื ื•ื”ืžืฉืคื™ืขื™ื ื“ืื–, ืืœ ืฆืœื™ืœื™ ื”ืจื•ืง ื”ืคืกื™ื›ื“ืœื™ ืฉืœ ืื ื’ืœื™ื”, ืคืื•ื•ืจ- ืคื•ืค ื”ื’ื™ื˜ืจื•ืช ื•ื”ื”ืจืžื•ื ื™ื•ืช ื”ืงื•ืœื™ื•ืช ืฉืœ ืœื”ืงืชื• ื”ืžืชืื—ื“ืช – ืดืžื”ื˜ื•ื‘ื•ืช ื‘ื™ื•ืชืจ ืฉื”ื™ื• ืคื”ืด (ืื™ื™ืœ ืคืจื™ื“ืžืŸ, ืจื“ื™ื• ื”ืงืฆื” ื•ื’ืœื’ืœืฆ).

How to be shy
ืืœื‘ื•ืžื• ื”ืจืืฉื•ืŸ ืฉืœ ื ื•ื‘ืœืžืŸ, ื–ื›ื” ืœื”ื™ื›ืœืœ ื‘ืจืฉื™ืžืช ืขืฉืจืช ืืœื‘ื•ืžื™ ื”ืฉื ื” ืฉืœ ืžื‘ืงืจื™ ืžื’ื–ื™ืŸ ื”ืžื•ืกื™ืงื” Rolling Stone
ื”ืืžืจื™ืงืื™.

ื”ืืœื‘ื•ื ืืฉืจ ื”ื•ืงืœื˜ ื‘ืœื™ื•ื•ื™ ืœื”ืงืช ืจื•ืงืคื•ืจ, ื›ืœืœ ืืช ื”ืœื”ื™ื˜ื™ื ืดLonely Boyืด ื• “Sad Song Happy Song” ื•ืฉืœื— ืืช ื ื•ื‘ืœืžืŸ ืœืกื™ื‘ื•ื‘ื™ ื”ื•ืคืขื•ืช ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ื‘ืื™ืจื•ืคื”, ื‘ื”ื ื ื™ื’ืŸ ื‘ืžื•ืขื“ื•ื ื™ ืจื•ืง ืžื™ืชื•ืœื•ื’ื™ื ื› ืด CBGB” ื”ื ื™ื• ื™ื•ืจืงื™ ื•ืฉื™ืชืฃ ืคืขื•ืœื” ืขื ืœื”ืงื•ืช ื› Of Montreal ื• Echo and The Bunnymen. ื ื•ื‘ืœืžืŸ ื”ื™ื” ืืฃ ื–ื” ืฉื—ื ืš ืืช
ื”ื”ื•ืคืขื•ืช ื‘ืžื•ืขื“ื•ืŸ ื”ื‘ืืจื‘ื™ ื‘ืžื™ืงื•ืžื• ื”ื ื•ื›ื—ื™.

ืืœื‘ื•ืžื• ื”ืฉื ื™, ืดBeautiful Lifeืด, ืžืฉื ืช 2005, ืฉื”ื•ืงืœื˜ ืขื ื”ืกื•ืคืจื’ืจื•ืค ืฉืœ ื’ื‘ืข ืืœื•ืŸ ื•ื™ื•ืชื ื‘ืŸ ื—ื•ืจื™ืŸ (ืกื•ืœืŸ ื™ื•ืกืœืก ืื™ื™.ื“ื™), ื•ืฉื”ื™ื” ื‘ืขืœ ื’ื•ื•ืŸ ืจื•ืงื ืจื•ืœ ื’ื™ื˜ืจื•ืช, ื›ืœืœ ืืช ื”ืœื”ื™ื˜ื™ื Girlfriend, Baby in the rain , Wonderful, ืฉื”ืคืชื™ืขื• ืจื‘ื™ื ื’ื ื‘ื›ืš ืฉืฉื‘ืจื• ืืช ืžื—ืกื•ื ืคืœื™ื™ืœื™ืกื˜ ื”ื™ื•ื ืฉืœ ื”ืจื“ื™ื• ื”ื™ืฉืจืืœื™ ืฉืกื™ืจื‘ ืขื“ ืื– ืœืฉื“ืจ ืฉื™ืจื™ื ืฉืœ ื™ืฉืจืืœื™ื ื”ืฉืจื™ื ื‘ืื ื’ืœื™ืช, ื•ื‘ืคืจื˜ ืฉืœ ืžื•ืกื™ืงืื™ ืขืฆืžืื™. ื›ืฉื”ื ืœื‘ื•ืฉื™ื ื‘ื—ื•ืœืฆื•ืช ืคืกื™ื ืžื›ื•ืคืชืจื•ืช ื‘ืฆื‘ืขื™ ืชื›ืœืช – ืœื‘ืŸ , ื”ื•ืคื™ืขื• ื ื•ื‘ืœืžืŸ ื•ืœื”ืงืชื• ื‘ืชื•ื›ื ื™ื•ืช ื˜ืœื•ื•ื™ื–ื™ื” ื•ื‘ืžื•ืขื“ื•ื ื™ ื”ื”ื•ืคืขื•ืช ื‘ืจื—ื‘ื™ ื”ืืจืฅ ื•ื™ืฆืื• ืœืžืกืข ื”ื•ืคืขื•ืช ื‘ืื™ืจื•ืคื”.

ืฉื ื™ ืืœื‘ื•ืžื™ื ืืœื• ืžื•ืคื™ืขื™ื ืขื“ ื”ื™ื•ื ื‘ืจืฉื™ืžื•ืช ื”ืืœื‘ื•ืžื™ื ื”ืืœื˜ืจื ื˜ื™ื‘ื™ื ื”ื™ืฉืจืืœื™ื ื”ื—ืฉื•ื‘ื™ื ืฉืœ ื›ืœ ื”ื–ืžื ื™ื.
ื”ืžื•ืคืข ื‘ื‘ืืจื‘ื™ ื™ื”ื™ื” ืžื•ืคืข ืจืืฉื•ืŸ ืžืœื, ื‘ื• ื™ืชืื—ื“ ื”ืจื›ื‘ ื–ื” ื•ื™ื›ืœื•ืœ ื‘ื ื•ืกืฃ ืœืฉื™ืจื™ ืฉื ื™ ืืœื‘ื•ืžื™ื ืืœื• ื’ื ืฉื™ืจื™ื ื—ื“ืฉื™ื ืžืืœื‘ื•ื ื—ื“ืฉ ื”ืžื•ืงืœื˜ ื‘ื™ืžื™ื ืืœื•, ื•ืฉื™ืจื™ื ืžืืœื‘ื•ืžื• ื‘ืฉืคื” ื”ืขื‘ืจื™ืช ืดื™ื•ืžื™ ื”ื•ื ื—ืœื•ืืด.
“ืืฃ ืขืœ ืคื™ ืฉื”ื•ื ื ืฉืžืข ืžืฉื ื•ืช ื”ืฉื™ืฉื™ื, ื›ืžืขื˜ ืœื’ืžืจื™ ืื™ ืืคืฉืจ ืœืžืงื ืื•ืชื• ื‘ืงื˜ื’ื•ืจื™ื” ื”ืžื’ื‘ื™ืœื” ืฉืœ ืจื˜ืจื•, ื›ื™ ืืฃ ืื—ื“ ืฉื—ื™ ื‘ืขื‘ืจ ืื™ืŸ ืœื• ื›ืœ ื›ืš ื”ืจื‘ื” ื—ื™ื•ืช ื•ืื ืจื’ื™ื””. (ื“ื ื” ืงืกืœืจ, ืžืขืจื™ื‘)

ืžืฉืชืชืคื™ื:

ืฉื™ ื ื•ื‘ืœืžืŸ- ื’ื™ื˜ืจื” ื•ืฉื™ืจื”
ื’ื‘ืข ืืœื•ืŸ- ื’ื™ื˜ืจื” ื•ืฉื™ืจื”
ื™ื•ืชื ื‘ืŸ ื—ื•ืจื™ืŸ- ื‘ืก ื•ืฉื™ืจื”
ื ืขืžืŸ ืฉื“ืžื™ – ืื•ืจื’ืŸ
ื’ื“ื™ ืคื˜ืจ- ืชื•ืคื™ื

ื›ื ื•ืคื™ื™ืช ื”ื ืฉื™ืคื”:
ืขื™ื“ื• ืงืจืฆืณืžืจ- ื˜ืจื•ืžื‘ื•ืŸ
ื“ื•ืชืŸ ื ื™ื ื•ื”- ืงืจืŸ ื™ืขืจ
ืื™ื™ืœ ืคื™ื™ืŸ – ืžืœื•ืคื•ืŸ

ื•ืื•ืจื—ื™ื ืžื™ื•ื—ื“ื™ื

ืฆื™ืœื•ื ืชืžื•ื ื” ืžืงื•ืจื™ืช: ืื•ืจืŸ ื‘ืŸ ืกื™ืžื•ืŸ
ืขื™ืฆื•ื‘ ืขื˜ื™ืคืช ืžืงื•ืจ: ื”ื“ืจ ืงืคืœืŸ
ืขื™ืฆื•ื‘ ืคืœื™ื™ืจ: ืื“ื ื ืฉืžืข.
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