Thu 23 December 2021 | 7:00 pm - 11:59 pm
Beit Ariela Public Library - Shaul Hamelech 25, Tel Aviv,
Haaretz X returns to the field with panel meetings, talks and discussions that connect the main creators, activists and thinkers in Israel to Haaretz and TheMarker journalists. From docu to climate, from hip-hop to social justice, from parenthood to the Nakba. You will find us in the various spaces of theย Beit Ariella Library renewed into the night with an open microphone, come meet us.
Participants: Noa Landau โฎ Nitzan Pinko โฎ Lee Yaron โฎ Noa Limona โฎ Niv Hadas โฎ Yael Darel โฎ Netanel Shlomovich โฎ Ofer Aderet โฎ Bnei Zipper โฎ Gili Melnitsky โฎ Omri Zarchovich โฎ Shani Litman โฎ Shai Vogelman โฎ Shirin Falah Saab โฎ Haim Levinson and a long, long list of guests and guests.
โฎAdmission is free! โฎ
The number of places is limited, based on availability
Entry is conditional on the presentation of a green pass
Duty to wear a mask during all activities
Let’s start on time
โฎWhat is the schedule? โฎ
19:00 Gates open (green mark check)
20:00 First round of content (you will have to choose between four different panels / conversations)
21:20 Second content round (you will have to choose between four different panels / conversations)
22:30 Performance of “Shekel” in the municipal salon (you will not have to choose)
At the same time, Noa Argov will record in the entrance plaza and in the lobby of Beit Ariela
Details:
First Round You will have to choose between:
20:00
ืขืืจ Urban living room
โฎHow did hip hop become the cultural emancipation in Israel and are there still those left out? โฎ
Israeli hip-hop has recently finally found the place it deserves, and the great talents hidden in the battle circles and tiny clubs fill halls, write soundtracks and occupy a central share in the local music scene. We will meet with some of the new voices in the genre and be asked who is still left behind?
Directed by: Nitzan Pinko, Haaretz
In conversation with:
Shekel (Eyal Davidi), rapper, producer, writer and composer
Avraham Lagsa, rapper, producer, writer and composer
Jasmine Jazz is a rapper, producer, writer and composer
Dima XR, rapper, writer and composer
or
20:00
๐The Press Library
Haaretz hosts TheMarker: A Chronicle of Predestination? This is how Tel Aviv became the most expensive city in the world
โฎ How did it happen that Tel Aviv overtook Paris and New York and was ranked by the “Economist” as the most expensive city in the world? TheMarker journalist will analyze the real estate, cultural and social policies that made this possible and try to understand whether, as a result, Tel Aviv is on its way to losing its charm?
Directed by: Yael Darel, TheMarker
In conversation with:
Niv Hadas, Haaretz
Omri Zarchovich, TheMarker
Gili Melnitsky, TheMarker
Eitan Schwartz, spokesman for the Tel Aviv-Yafo Municipality
or
20:00
1st grade
Toxic personality, toxic parenting: Narcissistic parenting lines to her character
โฎ Behind many cases of parental harm to children, violence between spouses and abuse at work is a narcissistic personality. What is a narcissistic disorder and how is it manifested in parenting and relationships?
Supervisor: Noa Limona
In conversation with:
Galia Oz, children and youth writer, screenwriter and director of documentaries
Danit Bar, psychotherapist, mediator and personal and family counselor. Author of the book “Childhood of a Princess”
Efrat Harel Heiman, expert clinical psychologist. Treats victims of narcissistic and psychopathic abuse, cultists and victims of emotional and sexual abuse
or
20:00
๐Design library
1X1
โฎ The Gospel According to A.B. Joshuaโฎ
The writer A.B. Joshua, the last of the elephants of the generation to establish the state, has been warning in recent years of the return to exile and of the collapse of the Zionist state. Shall we talk about the role of literature in this emergency?
Bnei Zipper, Haaretz in conversation with A.B. Joshua, writer, essayist and playwright
_____
Second round You will have to choose between:
21:20
Urban living room
โฎAfter world leaders disappoint in Glasgow: Will cultural figures lead the climate revolution?โฎ
Israel is warming at twice the global average and the current winter is one of the warmest in the history of the country, but the world of culture and the arts is still ignoring the crisis. Why has television, theater and art in Israel not yet joined the global trend – can artists bring about the climate revolution?
Supervisor: Lee Yaron, Haaretz
In conversation with:
Sharon Kantor, musician, writer and creator
Dov Hanin, Israeli politician and former Knesset member
Sigalit Landau, sculpture, video and installation artist
or
21:20
๐The Press Library
Social justice in the social network: Are social networks a platform for social change or the perpetuation of racism?
In an age where the hand is light on the keyboard, are these new hands writing a new story or are social networks another arena that perpetuates racism and polarized discourse
Directed by: Noa Landau, Haaretz
In conversation with:
Sheerin Fallah Saab, Haaretz 21 #chai_arabim_imhavim
Haim Levinson, Haaretz
Maayan Efrat, commentator on American politics
or
21:20
1st grade
Reality or Fiction: Where does the line go between the press and the docu?
A documentary and investigative article sometimes share similarities on the surface, but the working methods include substantial differences. Where does the line between docu and press cross, and why is it blurring? And why do docu-works sometimes manage to shape reality more than any journalistic article?
Moderator: Nathaniel Shlomovich, Haaretz
In conversation with:
Shani Littman, Haaretz
Shai Vogelman, Haaretz, Director of ‘Catching Joshua’
Shani Haziza, investigative journalist and documentary director, creator of the film ‘The Hidden Rabbi’
or
21:20
๐Design library
The design library
1X1
โฎ Nakba here to stay: Will the two peoples ever succeed in mobilizing a common collective memory? โฎ
Is it possible to talk about crimes committed by Jews against Arabs without being “Smolny”? And can Arabs understand why the Jews need the “strongest army in the world”?
Ofer Aderet, Haaretz in a conversation with Prof. Benny Morris, historian and Mizrahi
_____
22:30
ืขืืจ Urban living room
“Shekel” at the show
_____
Editor: Niv Hadas
Production: Shani Cohen
** There may be changes, please stay updated here or on the event page on the Haaretz website **
ืืืจืฅ X ืืืืจืื ืืฉืื ืขื ืืคืืฉืื ืคืื ืืื ืฉืืืืช ืืืืื ืื ืฉืืืืจืื ืืื ืืืืฆืจืื, ืืคืขืืืื ืืืืืืื ืืืจืืืืื ืืืฉืจืื ืืขืืชืื ืื ืืขืืชืื ืืืืช “ืืืจืฅ” ื-TheMarker. ืืืืงื ืืขื ืืงืืื, ืืืืค-ืืืค ืืขื ืฆืืง ืืืจืชื, ืืืืจืืช ืืขื ืื ืืื. ืชืืฆืื ืืืชื ื ืืืืืื ืืฉืื ืื ืฉื ืกืคืจืืืช ืืืช ืืจืืืื ืืืชืืืฉืช ืื ืชืื ืืืืื ืขื ืืืงืจืืคืื ืคืชืื, ืืืื ืืคืืืฉ ืืืชื ื.
ืืฉืชืชืคื: ื ืขื ืื ืืื โฎ ื ืืฆื ืคืื ืงื โฎ ืื ืืจืื โฎ ื ืืขื ืืืืื ื โฎ ื ืื ืืืก โฎ ืืขื ืืจืื โฎ ื ืชื ืื ืฉืืืืืืืฅ โฎ ืขืืคืจ ืืืจืช โฎ ืื ื ืฆืืคืจ โฎ ืืืื ืืื ืืฆืงื โฎ ืขืืจื ืืจืืืืืฅ’ โฎ ืฉื ื ืืืืื โฎ ืฉื ืคืืืืื โฎ ืฉืืจืื ืคืืื ืกืขื โฎ ืืืื ืืืื ืกืื ืืจืฉืืืช ืืืจืืื ืืืืจืืืช ืืจืืื ืืจืืื.
โฎืืื ืืกื ืืืคืฉืืช!โฎ
ืืกืคืจ ืืืงืืืืช ืืืืื, ืขื ืืกืืก ืืงืื ืคื ืื
ืืื ืืกื ืืืชื ืืช ืืืฆืืช ืชื ืืจืืง
ืืืืช ืขืืืืช ืืกืื ืืืืื ืื ืืคืขืืืืช
ื ืชืืื ืืืื
โฎืื ืืื”ื?โฎ
19:00 ืคืชืืืช ืฉืขืจืื (ืืืืืง ืชื ืืจืืง)
20:00 ืกืื ืชืืื ืจืืฉืื (ืชืฆืืจืื ืืืืืจ ืืื ืืจืืขื ืคืื ืืื/ ืฉืืืืช ืฉืื ืืช)
21:20 ืกืื ืชืืื ืฉื ื (ืชืฆืืจืื ืืืืืจ ืืื ืืจืืขื ืคืื ืืื/ ืฉืืืืช ืฉืื ืืช)
22:30 ืืืคืขื ืฉื “ืฉืงื” ืืกืืื ืืขืืจืื ื (ืื ืชืฆืืจืื ืืืืืจ)
โฎืืืงืืื ืืจืืืช ืืื ืืกื ืืืืืื ืฉื ืืืช ืืจืืืื ืชืชืงืื ื ืืขื ืืจืืืโฎ
ืคืืจืื:
20:00 ืกืื ืจืืฉืื | ืชืฆืืจืื ืืืืืจ ืืื:
20:00
๐ืกืืื ืขืืจืื ื
โฎืืื ืืืค ืืืค ืืคืื ืืืื ืกืืคืฆืื ืืชืจืืืชืืช ืืืฉืจืื ืืืื ืขืืืื ืืฉ ืื ืฉื ืฉืืจื ืืืืฅ?โฎ
ืืืืค ืืืค ืืืฉืจืืื ืืืื ืืืืจืื ื ืกืืฃ ืกืืฃ ืืืงืื ืืจืืื ืื, ืืืืฉืจืื ืืช ืืืืืืื ืฉืืชืืืื ืืืขืืื ืืืืืืื ืืืืืขืืื ืื ืืงืื ืื ืื ืืืืืื ืืืืืืช, ืืืชืืื ืคืกืงืืืื ืืชืืคืกืื ื ืชื ืืจืืื ืืกืฆื ืช ืืืืืืงื ืืืงืืืืช. ื ืืคืืฉ ืขื ืืื ืืืงืืืืช ืืืืฉืื ืื’ืื ืจ ืื ืฉืื ืื ืขืืืื ื ืืชืจื ืืืืืจ?
ืื ืืืื: ื ืืฆื ืคืื ืงื, ืืืจืฅ
ืืฉืืื ืขื:
ืฉืงื (ืืืื ืืืืื), ืจืืคืจ, ืืคืืง, ืืืชื ืืืืืื
ืืืจืื ืืืกื, ืจืืคืจ, ืืคืืง, ืืืชื ืืืืืื
ืืกืืื ื’ืื ืจืืคืจืืช, ืืคืืงื, ืืืชืืช ืืืืืื ื
ืืืื ืืงืก ืืจ, ืจืืคืจ, ืืืชื ืืืืืื
ืื
20:00
๐ืกืคืจืืืช ืืขืืชืื ืืช
โฎ”ืืืจืฅ” ืืืจื ืืช TheMarker: ืืจืื ืืงื ืฉื ืืชืืืงืจืืช ืืืืขื ืืจืืฉ? ืื ืืคืื ืชื ืืืื ืืขืืจ ืืืงืจื ืืขืืืโฎ
ืืืฆื ืงืจื ืฉืชื ืืืื ืขืงืคื ืืช ืคืจืื ืื ืื ืืืจืง ืืืืจืื ืขื ืืื “ืืืงืื ืืืืกื” ืืขืืจ ืืืงืจื ืืขืืื? ืขืืชืื ืื TheMarker ืื ืชืื ืืช ืืืืื ืืืช ืื ืื”ื ืืช, ืืชืจืืืชืืช ืืืืืจืชืืช ืฉืืคืฉืจื ืืืช ืืื ืกื ืืืืื ืืื ืืขืงืืืช ืืืช, ืชื ืืืื ืืืจื ืืืื ืืช ืืงืกื?
ืื ืืืื: ืืขื ืืจืื, TheMarker
ืืฉืืื ืขื:
ื ืื ืืืก, ืืืจืฅ
ืขืืจื ืืจืืืืืฅ’, TheMarker
ืืืื ืืื ืืฆืงื, TheMarker
ืืืชื ืฉืืืจืฅ, ืืืืจ ืขืืจืืืช ืชื ืืืื-ืืคื
ืื
20:00
๐ืืืชื 1
โฎืืืฉืืืช ืจืขืืื, ืืืจืืช ืจืขืืื: ืืืจืืช ื ืจืงืกืืกืืืช ืงืืืื ืืืืืชืโฎ
ืืืืืจื ืืงืจืื ืจืืื ืฉื ืคืืืขื ืฉื ืืืจืื ืืืืืื, ืืืืืืช ืืื ืื ื ืืื ืืืชืขืืจืืช ืืขืืืื ืขืืืืช ืืืฉืืืช ื ืจืงืืกืืกืืืช. ืืื ืืคืจืขื ื ืจืงืืกืืกืืืช ืืืืฆื ืืื ืืื ืืืื ืืืืื ืืืืจืืช ืืืืืืืืช?
ืื ืืืื: ื ืืขื ืืืืื ื
ืืฉืืื ืขื:
ืืืื ืขืื, ืกืืคืจืช ืืืืื ืื ืืขืจ, ืชืกืจืืืืืช ืืืืืืช ืกืจืืื ืชืืขืืืืื
ืื ืืช ืืจ, ืคืกืืืืชืจืคืืกืืืช, ืืืฉืจืช ืืืืขืฆืช ืืืฉืืช ืืืฉืคืืชืืช. ืืืืจืช ืืกืคืจ “ืืืืืช ืฉื ื ืกืืื”
ืืคืจืช ืืจืื ืืืืื, ืคืกืืืืืืืืช ืงืืื ืืช ืืืืืืช. ืืืคืืช ืื ืคืืขื ืืชืขืืืืช ื ืจืงืืกืืกืืืช ืืคืกืืืืคืชืืช, ืืืืฆืื ืืชืืช ืืื ืคืืขื ืืชืขืืืืช ืจืืฉืืช ืืืื ืืช
ืื
20:00
๐ืกืคืจืืืช ืืขืืฆืื
1X1
โฎืืืฉืืจื ืขื ืคื ื.ื. ืืืืฉืขโฎ
ืืกืืคืจ ื.ื. ืืืืฉืข, ืืืจืื ืื ืคืืืื ืฉื ืืืจ ืืงืืช ืืืืื ื, ืืชืจืืข ืืฉื ืื ืืืืจืื ืืช ืืคื ื ืืฉืืื ืื ืืืืืชืืืช ืืืคื ื ืงืจืืกืช ืืืืื ื ืืฆืืื ืืช. ื ืืืจ ืขื ืชืคืงืืื ืฉื ืืกืคืจืืช ืืขืช ืืืืจืื ืืืืช?
ืื ื ืฆืืคืจ, ืืืจืฅ ืืฉืืื ืขื ื.ื. ืืืืฉืืข, ืกืืคืจ, ืืกืื ืืืืืื
_____
21:20 ืกืื ืฉื ื | ืชืฆืืจืื ืืืืืจ ืืื:
21:20
๐ืกืืื ืขืืจืื ื
โฎืืืจื ืฉืื ืืืื ืืขืืื ืืืืืื ืืืืืื: ืืื ืื ืฉื ืืชืจืืืช ืืืืืื ืืช ืืืคืืช ืืืงืืื?โฎ
ืืฉืจืื ืืชืืืืช ืืงืฆื ืืคืื ืืืืืืฆืข ืืขืืืื ืืืืืจืฃ ืื ืืืื ืืื ืืื ืืืืื ืฉื ืจืฉืื ืืชืืืืืช ืืืืื ื, ืื ืขืืื ืืชืจืืืช ืืืืื ืืช ืขืืืื ืืชืขืื ืืืืฉืืจ. ืืื ืืืืืืืืื, ืืชืืืืจืื ืืืืื ืืช ืืืฉืจืื ืขืืืื ืื ืืฆืืจืคื ืืืืื ืืขืืืืืช – ืืื ืืืื ืื ืืืืืื ืืืืื ืืช ืืืคืืช ืืืงืืื?
ืื ืืืื: ืื ืืจืื, ืืืจืฅ
ืืฉืืื ืขื:
ืฉืจืื ืงื ืืืจ, ืืืืืงืืืช, ืกืืคืจืช ืืืืฆืจืช
ืื ืื ืื, ืคืืืืืืงืื ืืฉืจืืื ืืืืจ ืื ืกืช ืืฉืขืืจ
ืกืืืืืช ืื ืืื, ืืื ืืช ืคืืกืื, ืืืืืื ืืืืฆื
ืื
21:20
๐ืกืคืจืืืช ืืขืืชืื ืืช
ืฆืืง ืืืจืชื ืืจืฉืช ืืืืจืชืืช: ืืื ืืจืฉืชืืช โฎืืืืจืชืืืช ืื ืคืืืคืืจืื ืืฉืื ืื ืืืจืชื ืื ืื ืฆืืช ืืืขื ืืช?โฎ
ืืขืืื ืฉืื ืืื ืงืื ืขื ืืืงืืืช, ืืื ืืื ืืืืื ืืืฉืืช ืฉืืืชืืืช ืกืืคืืจ ืืืฉ ืื ืฉืื ืืจืฉืชืืช ืืืืจืชืืืช ืื ืขืื ืืืจื ืฉืื ืฆืืื ืืืขื ืืช ืืฉืื ืืงืืื
ืื ืืืื: ื ืขื ืื ืืื, ืืืจืฅ
ืืฉืืื ืขื:
ืฉืืจืื ืคืืื ืกืขื, ืืืจืฅ21 #ืื_ืขืจืืื_ืืฉืืืื
ืืืื ืืืื ืกืื, ืืืจืฅ
ืืขืื ืืคืจืช, ืคืจืฉื ืืช ืืคืืืืืืงื ืืืจืืงืืืช
ืื
21:20
๐ืืืชื 1
โฎืืฆืืืืช ืื ืืืื: ืืืคื ืขืืืจ ืืืืื ืืื ืขืืชืื ืืช ืืืืงื?โฎ
ืกืจื ืชืืขืืื ืืืชืืช ืชืืงืืจ ืืขืชืื ืืืืงืื ืืืืื ืขื ืคื ื ืืฉืื, ืืื ืฉืืืืช ืืขืืืื ืืืืืืช ืืืืืื ืืืืชืืื. ืืืื ืขืืืจ ืืืืื ืืื ืืืงื ืืขืืชืื ืืช, ืืืืืข ืืื ืืืื ืืืืืฉืืฉ? ืืืื ืืฆืืจืืช ืืืงื ืืฆืืืืืช ืืขืชืื ืืขืฆื ืืช ืืืฆืืืืช ืืืชืจ ืืื ืืชืื ืขืืชืื ืืืช?
ืื ืืืื: ื ืชื ืื ืฉืืืืืืืฅ, ืืืจืฅ
ืืฉืืื ืขื:
ืฉื ื ืืืืื, ืืืจืฅ
ืฉื ืคืืืืื, ืืืจืฅ, ืืืื ‘ืืชืคืืก ืืช ืืืืฉืข’
ืฉื ื ืืืืื, ืขืืชืื ืืืช ืืืงืจืช ืืืืืืช ืืืงืืื ืืจืืช ืืืฆืจืช ืืกืจื ‘ืจื ืื ืกืชืจ’
ืื
21:20
๐ืกืคืจืืืช ืืขืืฆืื
ืกืคืจืืืช ืืขืืฆืื
1X1
โฎืื ืืื ืืื ืืื ืืืืฉืืจ: ืืื ืื ืคืขื ืืฆืืืื ืฉื ื ืืขืืื ืืืืืก ืืืืจืื ืงืืืงืืืื ืืฉืืชืฃ? โฎ
ืืื ืืคืฉืจ ืืืืจ ืขื ืคืฉืขืื ืฉืืืฆืขื ืืืืืื ื ืื ืขืจืืื ืืื ืืืืืช “ืกืืืื ื”? ืืืื ืืืืืื ืขืจืืื ืืืืื ืืืืข ืืืืืืื ืฆืจืืืื ืืช “ืืฆืื ืืืืง ืืขืืื”?
ืขืืคืจ ืืืจืช, ืืืจืฅ ืืฉืืื ืขื ืคืจืืค’ ืื ื ืืืจืืก, ืืืกืืืจืืื ืืืืจืื
_____
22:30
๐ืกืืื ืขืืจืื ื
“ืฉืงื” ืืืืคืขื
_____
ืขืืจื: ื ืื ืืืก
ืืคืงื: ืฉื ื ืืื
**ืืืชืื ื ืฉืื ืืืื, ืื ื ืืชืขืืื ื ืืื ืื ืืขืืื ืืืืจืืข ืืืชืจ “ืืืจืฅ”**
Check Out The Event Page On Facebook