Thu 25 July 2024 | 7:00 pm - 10:30 pm
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TICKETS: https://eventbuzz.co.il/lp/event/dance2jazz
A unique event where the jazz trumpet of Gregory Rivkin and the keyboard passages of Michael Agre will combine with electronic music written and played live by Andrey Orenstein.
Andrey Orenstein is an electronic artist, singer-songwriter and music producer based in Tel-Aviv, Israel. His music is a blend of various genres and cultures, full of unexpected things and experiments with sound.
Andrey is a member of the groups Tequilajazzz and Crossfates, releases music ranging from electro-pop to jungle all over the world under a dozen aliases (aka Amor Entrave, 50Dix, Do You Like Trains?), makes remixes for fellow musicians (Mumiy Troll, Kurara, Sansara, etc.)
Gregory Rivkin got everything that a trumpeter could only ask for: the sound, flawless technique, range, total control…All these qualities are supported with unified balance of emotions, spirit and intellect.
During his teens Gregory became a first-prize winner of several national competitions in Israel and six times in a row won a scholarship of America-Israel Cultural Foundation, which brought him recognition and the opportunity to perform as a soloist with Israel Philharmonic in 1997. The trumpeter continued his artistic development in Paris, France and then in New York, N.Y., U.S.A. There he established a very high reputation among his peers, colleagues, veterans and 芦who is who禄 of the music and trumpet scenes.
Michael Agre is a jazz musician from Israel, registered in the field of conceptual free jazz.
Agre works in the field of academic electronics, composes symphonic and chamber works, writes music for films and performances.
Laureate of international theater and jazz festivals as a composer and pianist. He has implemented projects with Sergei Kuryokhin, Sergei Letov, Hans Joachim Roedelius, Albert Mangelsdorf, Roger Eno, Slava Ganelin and other musicians.
Come on July 25-rd to the roof of the Art Fabrika and dance to jazz!
讗讬专讜注 讬讬讞讜讚讬 讘讜 讛诪讜讝讬拽讛 砖诇 讙专讬讙讜专讬 专讬讘拽讬谉 讘讞爪讜爪专讛 讙’讗讝 讜讛诪讘注讬诐 砖诇 诪讬讻讗讬诇 讗讙专讛 讘拽诇讬讚讬诐 讬转诪讝讙讜 注诐 诪讜讝讬拽讛 讗诇拽讟专讜谞讬转 砖谞讻转讘讛 讜谞诪爪讗转 讘讛讜驻注讛 讞讬讛 注诇 讬讚讬 讗谞讚专讬讬 讗讜专谞砖讟讬讬谉.
讘转讜讻谞讬转 讬讻诇诇讜 讘讬-讘讜驻 讗讜转谞讟讬 讜拽诇住讬拽讜转 讛讙’讗讝, 诪讬拽住 砖诇 讘讬讟讬诐 住讜驻专-诪讜讚专谞讬讬诐 砖诇 讛讗讜住 讜讛讟专讬驻-讛讜驻, 讜讙诐 讟专讗拽讬诐 诪拽讜专讬讬诐.
讗谞讚专讬讬 讗讜专谞砖讟讬讬谉 讛讜讗 讬讜爪专 砖讬专讬诐 讜诪驻讬拽 诪讜讝讬拽诇讬 诪转谉-讗讘讬讘. 讛诪讜讝讬拽讛 砖诇讜 讛讬讗 注专讘讜讘 砖诇 讝’讗谞专讬诐 讜转专讘讜讬讜转 砖讜谞讜转, 诪诇讗讛 讘驻转专讜谞讜转 讘诇转讬 爪驻讜讬讬诐 讜谞讬住讬讜谞讜转 讘爪诇讬诇.
讙专讬讙讜专讬 专讬讘拽讬谉 讬砖 诇讜 讗转 讻诇 诪讛 砖讞爪讜爪专讗讬 讬讻讜诇 诇讞诇讜诐 注诇讬讜: 住讗讜谞讚 讬讬讞讜讚讬, 讟讻谞讬拽讛 诪讚讛讬诪讛 讜砖诇讬讟讛 诪诇讗讛 讘讻诇讬 讛谞讙讬谞讛. 讛讜讗 讛讬讛 讘注诇 讙讬诪谞住讬讛 讻驻讜诇讛 讘转讞专讜转 诇诪诇讙讛 砖诇 拽专谉 讗诪专讬拽讛-讬砖专讗诇 讛转专讘讜转讬转, 讜讝讻讛 讘砖砖 驻注诪讬诐, 诪讛 砖讛讘讬讗 诇讜 讛讻专讛 讜讗驻砖专讜转 诇讛讜驻讬注 讻住讜诇讬住讟 注诐 驻讬诇讛专诪讜谞讬转 讬砖专讗诇 讘-1997. 讛讜讗 讛诪砖讬讱 诇驻转讞 讗转 拽专讬讬专转讜 讛讬爪讬专转讬转 讘驻专讬讝 讜讗讝 讘谞讬讜 讬讜专拽, 讜讛专讜讜讬讛 讻讘讜讚 讜砖诐 讟讜讘 讘讬谉 注诪讬转讬讜 讛诪讜讝讬拽讗讬诐.
诪讬讻讗讬诇 讗讙专讛 讛讜讗 诪讜讝讬拽讗讬 讙’讗讝 诪讬砖专讗诇, 讛驻讜注诇 讘转讞讜诐 讛讗诇拽讟专讜谞讬拽讛 讛讗拽讚诪讬, 诪诇讞讬谉 讬爪讬专讜转 住讬诪驻讜谞讬讜转 讜拽讗诪专讬讜转, 讜讻讜转讘 诪讜讝讬拽讛 诇住专讟讬诐 讜诇讛爪讙讜转.
讛讜讗 讝讻讛 讘驻专住讬诐 讘驻住讟讬讘诇讬诐 讘讬谞诇讗讜诪讬讬诐 砖诇 转讬讗讟专讜谉 讜讙’讗讝 讻诪诇讞讬谉 讜讻诪驻讬拽.
讗讬专讜注 讝讛 诪讘讟讬讞 诇讛讬讜转 讞讜讜讬讛 诪讜讝讬拽诇讬转 诪专讛讬讘讛 讜诪专转拽转, 讛诪砖诇讘转 讗转 讛讟讻谞讬拽讛 讜讛住讙谞讜谉 讛诪讬讜讞讚讬诐 砖诇 砖诇讜砖转 讛诪讜讝讬拽讗讬诐 讛诪讜讻砖专讬诐 讛诇诇讜

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