Thu 20 October 2022 | 9:30 pm - 11:59 pm
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The musical producer and virtuoso “Beardyman” returns to Israel after 5 years for a one-off show!
The last two times he appeared here he left the audience with their jaws on the floor and smashed the barbie to pieces.
Beardyman is an extraordinary musical phenomenon, he built the so-called “Beardytron” an advanced live music production system that allows him to create loops and layers of sound exclusively from the sounds he creates himself live.
The avant-garde producer samples live sounds of himself or the audience, synthesizes them in real time and mixes them together.
In his performance you will find a variety of musical niches, from protest beatbox through industrial dance, comedy to sweeping electronic rave.
Beardyman is without a doubt a trailblazer – the concept that he can produce any layer of sound or a particular tone of voice in real time and without the conventional instrument, actually opens an endless gate for musicians and creators working in front of an audience in real time. In addition to that he is a YouTube sensation, with tens of millions of views and is known as one of the best known beatbox artists in the world.
From small and intimate events to the biggest festivals in the world, Beardyman is completely a refreshing spirit in the global electronic scene and after a long period without performances, Beardyman is going on his “FaceMakeDance” concert tour with over 40 shows throughout Europe and we are coming to host his show here in Israel.
Birdman will be hosted by the producer “Shuzin” (Uzi Navon, 3421, Makot)
Get ready for an extreme evening.
ืืืคืืง ืืืืืืงืื ืืืืืจืืืืื ืดBeardymanืด ืืืืจ ืืืฉืจืื ืืืืจ 5 ืฉื ืื ืืืืคืข ืื ืคืขืื!
ืืคืขืืืื ืืืืจืื ืืช ืฉืืื ืืืคืืข ืคื ืืื ืืฉืืืจ ืืช ืืงืื ืขื ืืืกืช ืขื ืืจืฆืคื ืืจืืกืง ืืช ืืืืจืื ืืจืกืืกืื.
ืืืจืืืืื ืืื ืชืืคืขื ืืืืืงืืืช ืืืฆืืช ืืืคื, ืืื ืื ื ืืช ืืืืื ื “Beardytron” ืืขืจืืช ืืชืงืืืช ืืืคืงืช ืืืืืงื ืืื ืฉืืืคืฉืจืช ืื ืืืฆืืจ ืืืืืืช ืืฉืืืืช ืกืืื ื ืื ืืจืง ืืืฆืืืืื ืฉืืื ืืืฆืจ ืืขืฆืื ืืืืื.
ืืืคืืง ืืืืื ืืจืื ืืืื ืฆืืืืื ืืืื ืฉื ืขืฆืื ืื ืฉื ืืงืื, ืืกื ืชื ืืืชื ืืืื ืืืช ืืืืงืกืก ืืื ืืื.
ืืืืคืขืชื ืชืืืื ืืืฆืื ืืืืื ื ืืฉืืช ืืืืืงืืืืช, ืืืื ืืืงืก ืืืืชื ืืจื ืืื ืก ืชืขืฉืืืชื, ืงืืืืื ืืขื ืืจืืื ืืืงืืจืื ื ืกืืืฃ.
ืืืจืืืื ืืื ืืื ืกืคืง ืคืืจืฅ ืืจื – ืืชืคืืกื ืฉืืื ืืืื ืืืืฆืจ ืื ืฉืืืช ืกืืื ื ืื ืืืื ืงืื ืืกืืื ืืืื ืืืช ืืืื ืืืื ืกืืจืืื ื ืืืงืืื, ืืขืฆื ืคืืชืืช ืฉืขืจ ืืื ืกืืคื ืืืืืืงืืื ืืืืฆืจืื ืืขืืืื ืืื ืงืื ืืืื ืืืช. ืื ืืกืฃ ืืื ืืื ืกื ืกืฆืืืช ืืืืืื, ืขื ืขืฉืจืืช ืืืืื ื ืฆืคืืืช ืืืืืข ืืืื ืืืืื ื ืืืืืืืงืก ืืืืืจืื ืืืืืจ.
ืืืืจืืขืื ืงืื ืื ืืืื ืืืืื ืืคืกืืืืืื ืืืืืืื ืืขืืื ืืืจืืืืื ืืื ืืืืจื ืจืื ืืจืขื ื ืช ืืกืฆื ื ืืืืงืืจืื ืืช ืืขืืืืืช ืืืืจื ืชืงืืคื ืืจืืื ืืื ืืืคืขืืช ืืืจืืืืื ืืืฆื ืืกืืืื ืืืืคืขืืช ืฉืื “FaceMakeDance” ืขื ืืืขืื ื40 ืืืคืขืืช ืืจืืื ืืืจืืคื ืืื ืื ื ืืืื ืืืจื ืืช ืืืืคืข ืฉืื ืืื ืืืฉืจืื.
ืืช ืืืจืืืืื ืืืื ืืืคืืง “Shuzin” (ืขืืื ื ืืื, 3421, Makot)
ืชืชืืื ื ื ืืขืจื ืงืืฆืื ื.
ืืืขืืื ืืืืจืืืืื ๐๐ป
๐ขืืจืฆืื ืืื:
๐ขืืจืื ื ืืืืืืงืก ืืืื:
๐ขืืืื ืืคืืืกืืืง:
๐ขืืืื ืกืืื ืืืจื 2010:
๐ขืกืืื ืืงืืืื:
ืื ืืืืช
โขืืืืจืืข ืืชืงืืื ืืืืจืื (ืงืืืืฅ ืืืืืืช 52) ืืชืืจืื 20.10 ืืืื ืืืืฉื.
โขืคืชืืืช ืืืชืืช – 21:30.
โขืืจืืืกืื-
ืกืื ืืืืจื ืจืืฉืื ื48 ืฉืขืืช ืืืื – 130 ืฉ”ื
ืกืื ืืืืจื ืฉื ื -150 ืฉ”ื
ืกืื ืืืืจื ืฉืืืฉื ืืืืจืื – 170 ืฉ”ื
ื ืชืจืื โค๏ธ
ืืืืื ืืคืงืืช
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